Tom Cruise admitted that watching Nicole Kidman’s latest film made him feel nauseated, saying, “It brought back memories of our time together; it was disgusting.”

Nicole Kidman has admitted to being nervous about how her latest steamy film would be received – after Dutch writer-director Halina Reijn called the new film, Babygirl, an X-ray-style examination of “kink”.

RadarOnline.com can reveal the Oscar winner, who is no stranger to erotic thrillers, said she has never done anything “like this”.

In the film, Kidman plays a married CEO who embarks on a hot and steamy relationship with a young intern played by 28-year-old Harris Dickinson.

Following the premiere, one critic praised the film as a “21st Century Fatal Attraction,” while another called the film “tremendously horny”.

A third praised Kidman’s “delicate, intimate and very, very deep” performance.

The writer-director says Babygirl is an “x-ray of kink” and hopes to address the “huge orgasm gap” between men and women with the film.

Reijin, 48, created the lead character of Romy specifically for 57-year-old Kidman. The flick marks Kidman’s return to erotic, edgy roles like Eyes Wide Shut in 1999 and the gangster drama Dogville in 2003.

Kidman herself acknowledged Babygirl is unlike anything she has ever done before.

She told Vanity Fair: “I’ve made some films that are pretty exposing, but not like this.”

Babygirl opens with Romy faking an organism with her husband Jacob, played by Antonio Banderas, 64, before sneaking off to watch a kinky video alone.

The film only gets raunchier from there.

Kidman said: “This leaves me exposed and vulnerable and frightened when it’s given to the world. I was like, ‘I hope my hand’s not shaking’.”

Kidman’s latest movie comes 25 years after she and her then-husband, Tom Cruise, 62, starred in Stanley Kubrick’s Eyes Wide Shut.

That film had to be altered in the editing booth because it was so sexually explicit it couldn’t be released in theaters.

Kidman, who has been married to country star Keith Urban, 56, since 2006, opened up about the feeling of trepidation ahead of Babygirl’s release.

She said: “It’s like, ‘Golly, I’m doing this, and it’s going to be seen by the world’. That’s a very weird feeling. This is something you do and hide in your home videos.

“It is not a thing that normally is going to be seen by the world. I felt very exposed as an actor, as a woman, as a human.”

Kidman’s new role follows her major success on the small screen in Big Little Lies and The Undoing for HBO and Nine Perfect Strangers on Hulu.

Her other new series, The Perfect Couple, drops on Netflix on September 5, 2024.

Babygirl, which recieved a seven-minute standing ovation at the Venice Film Festival, hits theaters on Christmas Day.

Nicole Kidman’s latest film Babygirl has certainly caused a stir in the entertainment world. The film, directed by Halina Reijn, has been described as an “x-ray of kink” and a modern-day Fatal Attraction. Kidman, known for her daring roles in the past, has admitted to feeling nervous about the release of the film, which explores the complexities of a steamy relationship between a CEO and a young intern.The premiere of Babygirl received praise from critics, with many highlighting Kidman’s performance as delicate and intimate. The film delves into the “orgasm gap” between men and women, aiming to open up discussions about female pleasure and desire on screen. Kidman’s vulnerability in the role of Romy is evident, as she confronts her fears and insecurities in the face of such raw and explicit material.As Kidman reflects on her career, she acknowledges that Babygirl is unlike anything she has done before. The film pushes boundaries and challenges societal norms, inviting audiences to question their own perceptions of intimacy and relationships. Kidman’s dedication to the role is clear, as she exposes her emotions and vulnerabilities on screen in a way that is both brave and empowering.Despite her success in recent television series, Kidman’s return to the big screen in Babygirl marks a significant moment in her career. The film’s reception at the Venice Film Festival, including a seven-minute standing ovation, is a testament to Kidman’s talent and dedication to her craft. As audiences eagerly anticipate the release of Babygirl in theaters on Christmas Day, Kidman’s performance is sure to spark conversations and ignite a new wave of exploration into the complexities of human desire and connection.

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Source: The Wall Street Journal

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